Colección Joan Jonas Lines In The Sand

Colección Joan Jonas Lines In The Sand. Joan jonas, lines in the sand, 2002/2005. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and …

Mejor Joan Jonas Helen In Egypt Lines In The Sand 2004 Tate

It was concerned with the intersection of myth, mythology, history, or more broadly: Lines in the sand was a performance by the american artist joan jonas. Lines in the sand, 2002. By chronologically and geographically transposing the …

Joan jonas, my new theater v:

Courtesy of the artist and act archives. Lines in the sand, 2002. Joan jonas, my new theater v: Courtesy of the artist and act archives. At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and … Moving in place (dog dance), 2002/2005.

Distributed by electronic arts intermix (eai), new york. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Jonas took as her source material helen in egypt, a poem by … Lines in the sand, 2002. At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and … May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the …

(hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Moving in place (dog dance), 2002/2005... Joan jonas, lines in the sand, 2002/2005.

May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the … Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and ….. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection.

Collection museum of modern art, new york... Moving in place (dog dance), 2002/2005. (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Joan jonas, my new theater v: Joan jonas, lines in the sand, 2002/2005. It was concerned with the intersection of myth, mythology, history, or more broadly: May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the … Lines in the sand was a performance by the american artist joan jonas. Jonas took as her source material helen in egypt, a poem by … Joan jonas, mirror improvisation, 2005.. Jonas took as her source material helen in egypt, a poem by …

By chronologically and geographically transposing the … At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and ….. Lines in the sand, 2002.

Collection museum of modern art, new york. Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization. Joan jonas, lines in the sand, 2002/2005. Lines in the sand, 2002. Lines in the sand was a performance by the american artist joan jonas. Jonas took as her source material helen in egypt, a poem by … Collection museum of modern art, new york. Distributed by electronic arts intermix (eai), new york. At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and …. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection.

Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization... May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the … Moving in place (dog dance), 2002/2005. Lines in the sand was a performance by the american artist joan jonas. Collection museum of modern art, new york. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. Moving in place (dog dance), 2002/2005.

Lines in the sand, 2002... It was concerned with the intersection of myth, mythology, history, or more broadly: Joan jonas, mirror improvisation, 2005. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. By chronologically and geographically transposing the … Collection museum of modern art, new york. Jonas took as her source material helen in egypt, a poem by … Joan jonas, my new theater v: At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and … Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d.. At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and …

Courtesy of the artist and act archives. Jonas took as her source material helen in egypt, a poem by … Lines in the sand was a performance by the american artist joan jonas. Joan jonas, lines in the sand, 2002/2005. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. By chronologically and geographically transposing the … Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. Collection museum of modern art, new york.. Collection museum of modern art, new york.

Distributed by electronic arts intermix (eai), new york... Joan jonas, my new theater v: Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the … Distributed by electronic arts intermix (eai), new york. Moving in place (dog dance), 2002/2005. Joan jonas, mirror improvisation, 2005. Jonas took as her source material helen in egypt, a poem by … It was concerned with the intersection of myth, mythology, history, or more broadly: Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. Moving in place (dog dance), 2002/2005.

Distributed by electronic arts intermix (eai), new york. Joan jonas, lines in the sand, 2002/2005... Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual.

Distributed by electronic arts intermix (eai), new york. Lines in the sand, 2002. Lines in the sand was a performance by the american artist joan jonas. Collection museum of modern art, new york. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the … Jonas took as her source material helen in egypt, a poem by … Joan jonas, my new theater v: Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and …. Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization.

Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d.. Courtesy of the artist and act archives. (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Joan jonas, lines in the sand, 2002/2005. Lines in the sand, 2002. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and … By chronologically and geographically transposing the …. Joan jonas, my new theater v:

By chronologically and geographically transposing the …. (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Joan jonas, mirror improvisation, 2005. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. Moving in place (dog dance), 2002/2005. Lines in the sand was a performance by the american artist joan jonas. Lines in the sand, 2002.. Courtesy of the artist and act archives.

Moving in place (dog dance), 2002/2005. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. It was concerned with the intersection of myth, mythology, history, or more broadly:

At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and ….. Jonas took as her source material helen in egypt, a poem by … Distributed by electronic arts intermix (eai), new york. Courtesy of the artist and act archives.. Collection museum of modern art, new york.

Courtesy of the artist and act archives. May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the … Distributed by electronic arts intermix (eai), new york. (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Courtesy of the artist and act archives. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Collection museum of modern art, new york. Joan jonas, lines in the sand, 2002/2005.. Jonas took as her source material helen in egypt, a poem by …

Lines in the sand was a performance by the american artist joan jonas. Jonas took as her source material helen in egypt, a poem by … Lines in the sand was a performance by the american artist joan jonas. Moving in place (dog dance), 2002/2005. Lines in the sand, 2002.. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d.

Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d... Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Courtesy of the artist and act archives. Joan jonas, mirror improvisation, 2005. Lines in the sand was a performance by the american artist joan jonas. May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the …. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection.

Jonas took as her source material helen in egypt, a poem by … Joan jonas, lines in the sand, 2002/2005. Distributed by electronic arts intermix (eai), new york. Lines in the sand was a performance by the american artist joan jonas. Collection museum of modern art, new york. Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization. Joan jonas, my new theater v: Moving in place (dog dance), 2002/2005. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. It was concerned with the intersection of myth, mythology, history, or more broadly: Lines in the sand, 2002. May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the …

Courtesy of the artist and act archives. Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization. Joan jonas, lines in the sand, 2002/2005.

Courtesy of the artist and act archives. Lines in the sand, 2002. Joan jonas, my new theater v: It was concerned with the intersection of myth, mythology, history, or more broadly: (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. Courtesy of the artist and act archives. Collection museum of modern art, new york.. Joan jonas, my new theater v:

It was concerned with the intersection of myth, mythology, history, or more broadly:.. By chronologically and geographically transposing the … Courtesy of the artist and act archives. Distributed by electronic arts intermix (eai), new york. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. Lines in the sand, 2002. By chronologically and geographically transposing the …

Joan jonas, my new theater v:. Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization. Lines in the sand was a performance by the american artist joan jonas. Joan jonas, my new theater v: By chronologically and geographically transposing the … Joan jonas, lines in the sand, 2002/2005. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. Jonas took as her source material helen in egypt, a poem by … May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the ….. Distributed by electronic arts intermix (eai), new york.

Collection museum of modern art, new york. Moving in place (dog dance), 2002/2005. Joan jonas, my new theater v: Joan jonas, lines in the sand, 2002/2005. Courtesy of the artist and act archives. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual.

Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d... Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. Lines in the sand was a performance by the american artist joan jonas. Jonas took as her source material helen in egypt, a poem by …. Jonas took as her source material helen in egypt, a poem by …

Joan jonas, mirror improvisation, 2005. . Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d.

Lines in the sand was a performance by the american artist joan jonas. By chronologically and geographically transposing the … It was concerned with the intersection of myth, mythology, history, or more broadly: Distributed by electronic arts intermix (eai), new york. Courtesy of the artist and act archives. Joan jonas, lines in the sand, 2002/2005. Jonas took as her source material helen in egypt, a poem by … Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization. Collection museum of modern art, new york. Lines in the sand, 2002. It was concerned with the intersection of myth, mythology, history, or more broadly:

Lines in the sand was a performance by the american artist joan jonas... Lines in the sand, 2002. Joan jonas, mirror improvisation, 2005. Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization. Moving in place (dog dance), 2002/2005. At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and … Joan jonas, my new theater v: Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Jonas took as her source material helen in egypt, a poem by … Lines in the sand was a performance by the american artist joan jonas. Lines in the sand was a performance by the american artist joan jonas.

Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. Lines in the sand, 2002. Courtesy of the artist and act archives. Collection museum of modern art, new york. Jonas took as her source material helen in egypt, a poem by … Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization. (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Joan jonas, my new theater v: Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection.

Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization.. . Courtesy of the artist and act archives.

(hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Joan jonas, my new theater v: Moving in place (dog dance), 2002/2005. It was concerned with the intersection of myth, mythology, history, or more broadly: By chronologically and geographically transposing the … Lines in the sand, 2002. At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and … May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the … Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Moving in place (dog dance), 2002/2005.

Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d... Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d.. Lines in the sand, 2002.

Joan jonas, my new theater v:.. Collection museum of modern art, new york. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Lines in the sand was a performance by the american artist joan jonas. Moving in place (dog dance), 2002/2005. Courtesy of the artist and act archives. (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Lines in the sand was a performance by the american artist joan jonas.

(hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization. Moving in place (dog dance), 2002/2005. Distributed by electronic arts intermix (eai), new york. Jonas took as her source material helen in egypt, a poem by … Collection museum of modern art, new york. Lines in the sand, 2002. By chronologically and geographically transposing the … Lines in the sand was a performance by the american artist joan jonas. Joan jonas, my new theater v: Joan jonas, lines in the sand, 2002/2005. Joan jonas, lines in the sand, 2002/2005.

It was concerned with the intersection of myth, mythology, history, or more broadly: Joan jonas, mirror improvisation, 2005. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. It was concerned with the intersection of myth, mythology, history, or more broadly: Joan jonas, lines in the sand, 2002/2005. (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and …. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual.

Moving in place (dog dance), 2002/2005... Collection museum of modern art, new york. May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the … At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and …. Joan jonas, mirror improvisation, 2005.

It was concerned with the intersection of myth, mythology, history, or more broadly:.. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the … Courtesy of the artist and act archives. Lines in the sand was a performance by the american artist joan jonas. (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Lines in the sand, 2002.. (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material.

Collection museum of modern art, new york. Jonas took as her source material helen in egypt, a poem by … Courtesy of the artist and act archives. Distributed by electronic arts intermix (eai), new york. Joan jonas, mirror improvisation, 2005. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Joan jonas, my new theater v: Collection museum of modern art, new york. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the …

Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the … By chronologically and geographically transposing the … It was concerned with the intersection of myth, mythology, history, or more broadly: Courtesy of the artist and act archives.

Jonas took as her source material helen in egypt, a poem by … (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Moving in place (dog dance), 2002/2005. Lines in the sand was a performance by the american artist joan jonas. May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the … Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual.

By chronologically and geographically transposing the …. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Lines in the sand, 2002. Courtesy of the artist and act archives. May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the … Moving in place (dog dance), 2002/2005. By chronologically and geographically transposing the … Collection museum of modern art, new york. Lines in the sand, 2002.

Collection museum of modern art, new york. (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Courtesy of the artist and act archives. At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and ….. Moving in place (dog dance), 2002/2005.

Joan jonas, lines in the sand, 2002/2005... Collection museum of modern art, new york.

At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and …. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. Joan jonas, mirror improvisation, 2005. Joan jonas, lines in the sand, 2002/2005. It was concerned with the intersection of myth, mythology, history, or more broadly: Moving in place (dog dance), 2002/2005... Joan jonas, mirror improvisation, 2005.

Moving in place (dog dance), 2002/2005. Moving in place (dog dance), 2002/2005. Joan jonas, lines in the sand, 2002/2005. Distributed by electronic arts intermix (eai), new york. Lines in the sand, 2002. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. Jonas took as her source material helen in egypt, a poem by … Courtesy of the artist and act archives. Collection museum of modern art, new york. Lines in the sand was a performance by the american artist joan jonas. At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and … Courtesy of the artist and act archives.

(hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. It was concerned with the intersection of myth, mythology, history, or more broadly: (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Lines in the sand was a performance by the american artist joan jonas. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Courtesy of the artist and act archives. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. Lines in the sand, 2002. Joan jonas, my new theater v: Distributed by electronic arts intermix (eai), new york. (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material.

Joan jonas, my new theater v: Courtesy of the artist and act archives. Joan jonas, mirror improvisation, 2005.. Jonas took as her source material helen in egypt, a poem by …

Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection... Lines in the sand, 2002.

Distributed by electronic arts intermix (eai), new york.. Lines in the sand, 2002. Moving in place (dog dance), 2002/2005. Joan jonas, my new theater v: Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Lines in the sand was a performance by the american artist joan jonas. Courtesy of the artist and act archives. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. It was concerned with the intersection of myth, mythology, history, or more broadly:

Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization... Lines in the sand was a performance by the american artist joan jonas. It was concerned with the intersection of myth, mythology, history, or more broadly: Distributed by electronic arts intermix (eai), new york. (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Lines in the sand, 2002... It was concerned with the intersection of myth, mythology, history, or more broadly:

(hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material.. (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. By chronologically and geographically transposing the … At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and … Moving in place (dog dance), 2002/2005. It was concerned with the intersection of myth, mythology, history, or more broadly: By chronologically and geographically transposing the …

Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization. Joan jonas, mirror improvisation, 2005. Joan jonas, lines in the sand, 2002/2005.

Joan jonas, lines in the sand, 2002/2005. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization.. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d.

Joan jonas, my new theater v:. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Jonas took as her source material helen in egypt, a poem by … Joan jonas, lines in the sand, 2002/2005.. Lines in the sand was a performance by the american artist joan jonas.

Joan jonas, my new theater v:.. By chronologically and geographically transposing the … Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization. Courtesy of the artist and act archives. Joan jonas, my new theater v:.. Lines in the sand, 2002.

May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the …. Joan jonas, my new theater v: Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. It was concerned with the intersection of myth, mythology, history, or more broadly:.. Joan jonas, my new theater v:

Moving in place (dog dance), 2002/2005.. Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization. By chronologically and geographically transposing the … Joan jonas, mirror improvisation, 2005. May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the … Collection museum of modern art, new york. Joan jonas, lines in the sand, 2002/2005. Courtesy of the artist and act archives. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Moving in place (dog dance), 2002/2005. At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and …

Lines in the sand, 2002. Lines in the sand, 2002. May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the … Collection museum of modern art, new york. Joan jonas, mirror improvisation, 2005. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. Jonas took as her source material helen in egypt, a poem by ….. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection.

Distributed by electronic arts intermix (eai), new york.. Collection museum of modern art, new york. By chronologically and geographically transposing the … Distributed by electronic arts intermix (eai), new york. Moving in place (dog dance), 2002/2005. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the … Lines in the sand was a performance by the american artist joan jonas. Lines in the sand, 2002. Jonas took as her source material helen in egypt, a poem by … May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the …

Joan jonas, my new theater v:.. (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Courtesy of the artist and act archives. At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and … Joan jonas, lines in the sand, 2002/2005.. May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the …

May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the … Lines in the sand, 2002. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and …

May 28, 2004 · jonas' lines in the sand (2002) and her new, unfinished the shape, the scent, the feel of things are currently installed side by side at the … Joan jonas, lines in the sand, 2002/2005. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. Collection museum of modern art, new york. Narrated by jonas, lines in the sand is a deeply subjective meditation no less about the fate of self than of civilization. Courtesy of the artist and act archives. Lines in the sand, 2002.. Lines in the sand was a performance by the american artist joan jonas.

Moving in place (dog dance), 2002/2005... By chronologically and geographically transposing the … Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. Courtesy of the artist and act archives.. Courtesy of the artist and act archives.

Distributed by electronic arts intermix (eai), new york. By chronologically and geographically transposing the … Jonas took as her source material helen in egypt, a poem by … Joan jonas, my new theater v: Distributed by electronic arts intermix (eai), new york. Lines in the sand was a performance by the american artist joan jonas. Moving in place (dog dance), 2002/2005. Courtesy of the artist and act archives.. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d.

Distributed by electronic arts intermix (eai), new york.. Courtesy of the artist and act archives. Joan jonas, lines in the sand, 2002/2005. At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and …. Courtesy of the artist and act archives.

Courtesy of the artist and act archives. Over the years she has developed and steadily refined a language of props (mirror, mask, video monitor) and choreographed movements (the dance of veil and scarf, drawing in the sand) that explore notions of subjectivity as they are configured in folk/fairytale and ritual. Oscillating between semiotics, pictorialism and theatrics, joan jonas integrates ritual and symbolic elements into her hybrid vocabulary, where gestures are the object of reflection. Commissioned by dokumenta xi in 2002, jonas' multimedia performance piece lines in the sand takes up two works by the poet h.d. By chronologically and geographically transposing the … Collection museum of modern art, new york. It was concerned with the intersection of myth, mythology, history, or more broadly: Moving in place (dog dance), 2002/2005. Joan jonas, mirror improvisation, 2005. Joan jonas, mirror improvisation, 2005.

At the beginning of her artistic career, the themes in her work focused on herself, on the body of the artist, its changes, transformations, deformations and … (hilda doolittle)—helen in egypt (1955) and tribute to freud (1944)—as source material. Joan jonas, lines in the sand, 2002/2005.